Studies in Contemporary Africa
- Founded
1956 - Seminar Number
435
The seminar provides a lively forum for historians and social scientists engaged in the advanced study of Sub-Saharan Africa. Faculty and visiting scholars from Columbia University and neighboring institutions actively participate in the monthly evening sessions. Seminar discussions often focus on theoretical and comparative approaches to the study of colonial and contemporary states, processes in political mobilization and leadership, the impact of the international community, and the roles of gender and cultural identities.
Chairs
Professor Gregory Mann
gm522@columbia.edu
Professor Hlonipha A. Mokoena
ham2101@columbia.edu
Rapporteur
Samuel Daly
Columbia University
sfd2107@columbia.edu
Welcome
Meetings
| 04/30/2013 | 207 Knox Hall 6:00 PM |
Prof. Zoe Crossland, Columbia University
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| 04/03/2013 | 509 Knox Hall 6:00 PM |
Save the Girl Hawker, Save the World: Gender, Generation, and Child Labor in Colonial Lagos
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| 03/14/2013 | Faculty House 6:00 PM |
Lucas the Baboon Boy, and Other Stories: Towards a History of Popular Racism in South Africa, 1910-1948
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| 02/12/2013 | Faculty House 6:00 PM |
A History of Motherhood in Nineteenth Century Uganda
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| 09/20/2012 | Faculty House 6:00 PM |
Exile Knows no Dignity: Migration, Locality and Belonging in an African Postcolony
Bruce Whitehouse, Lehigh University
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| 10/19/2012 | Faculty House 6:00 PM |
Apartheid's Art School: Art, Education and the Beauty of 20th Century South Africa
Daniel Magaziner, Yale University
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Notes: Abstract: This paper considers the trajectory of the education of African art teachers both before and during apartheid in South Africa. It argues that although the government intended art education to promote the notion of African difference, art educators saw the study and teaching of art as essential to the development of creative, modern individuals. Rather than experience apartheid schools as simply oppressive, these teachers and their students saw them as a potentially privileged forum, where a new African subject was under development. Apartheid's Art School thus asks new questions about 20th century South African intellectual history and attempts to reorder - or break apart - old binaries about the nature of social and intellectual experience under apartheid. |
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| 10/30/2012 | Faculty House 6:00 PM |
Lucas the Baboon Boy, and Other Stories: Towards a History of Popular Racism in South Africa, 1910-1948
Roger S. Levine, Sewanee University
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Notes: Abstract: This talk explores a historiographic intervention I have framed around the concept of "popular racism" – popular understandings of race, gender, and segregation in the post-Union era of burgeoning African urban migration in early to mid twentieth century South Africa. The project has its origins in the fascinating case of Lucas, the Baboon Boy. Lucas was an African man who claimed to have been raised by baboons, and around whom a firestorm of publicity arose in the late 1930s. This frenzy was abetted by police affidavits, scientific testimonials by leading South African anthropologists, and laudatory accounts by prominent novelists. The project also examines the Black Peril Scare on the Rand in 1912, which, as historians have argued, reveals deep-seated fears about the continuation of European social, political, and sexual dominance, but also a public discussion of the necessity of segregation and the complex and highly ambiguous contradictions at its core. Lastly, it turns to children’s literature, to literary magazines, such as Voorslag, and to mass market magazines such as The Outspan and The South African Ladies Pictorial. |
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| 11/27/2012 | Faculty House 6:00 PM |
New State, New Methods, New Directives...Time for a New History? Rethinking Portugal’s Colonialism
Eric Allina, University of Ottowa
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Notes: Abstract: Portugal is well and widely known for having been ‘first in and last out’ among the European colonial powers in Africa. Enhancing the image of a colonialism unlike any other is the perception that Lisbon’s rule not only lasted longer, but also diverged sharply from others in the imperial pantheon, above all in the sphere of what contemporaries called ‘native policy.’ Yet the close examination of such policy offered here, focusing on the watershed interwar years, shows that Portuguese colonial rule closely tracked the trajectory of other powers. Looking behind the bluster of ministerial decrees and examining the ideas and actions of administrators in the field exposes how the Portugal’s colonialism cleaved much more closely to the norm than has been understood. Deviation from that norm came late and was the product of post-war transformation rather than any deeply rooted difference. |