Seminars

  • Founded
    1970
  • Seminar Number
    509

Founded by Douglas Fraser, this seminar addresses major issues in the fields of African, Oceanic, Native American, and pre-Hispanic Latin American arts. The seminar provides an opportunity for members to analyze, evaluate, and discuss new and continuing research, as well as various trends in scholarship. Because the membership is comprised of art historians, curators, archeologists, anthropologists, and other field specialists, seminar meetings frequently involve in-depth discussions of theoretical and methodological issues. The seminar sponsors special symposia on diverse topics; the most recent entitled Art as Identity in the Americas.


Chair
Dr. Francesco Pellizzi
pellizzi@fas.harvard.edu

Professor Zoë Strother
zss1@columbia.edu

Professor Lisa Trever
lt2731@columbia.edu

Rapporteur
Oluremi Cecilia-Anne Onabanjo
oco2103@columbia.edu


Meeting dates and locations are subject to change. Please confirm details with the seminar rapporteur.


Meeting Schedule

10/03/2019 832 Schermerhorn Hall, Columbia University
6:30 PM
The Curious Case of Coronado’s Shields: Towards an Iconology of Pueblo Visual Culture on the Eve of Spanish Colonialism
Severin Morris Fowles, Barnard College, Columbia University
Abstract

Abstract

In 1540, Francisco Vázquez de Coronado marched forth to conquer, he hoped, the golden kingdoms that were rumored to exist on the far northern frontier of the Spanish Trans-Atlantic Empire. He encountered instead the Pueblo communities of what is today New Mexico and Arizona. This presentation reconsiders a fleeting episode drawn from the Spanish account of Coronado’s violent travels throughout the region: the gift of shields by a Pueblo delegation to their invaders.

To understand this gift requires a complicated cultural inquiry into not just the meanings of Pueblo shields but the images that adorned them, the wider role of iconography in Ancestral Pueblo society, and the very nature of power, agency, and subjectivity within the indigenous traditions of the American West. Furthermore, the curious case of Coronado’s shields also presents an opportunity to consider what archaeology and anthropology have to offer art history, and vice versa.