Seminars

Yao, Shun, and Yu have long been revered as the quintessential sage kings, not only in China but also throughout premodern East Asia, including Korea and Japan. This study examines the process by which the cultural memory of these sage kings was established in Shanxi from the Warring States period to the 19th century. Shanxi, known as a historical stage of Yao, Shun, and Yu, preserves the most significant traces of their legacy. I begin by analyzing pre-Qin texts to explore how the cultural memory of Yao, Shun, and Yu emerged in the region. Then, I focus on the historical sites associated with these sage kings as recorded in major geographical texts. This examination will reveal the fluidity of cultural memory, “an ongoing, ever-evolving process of renewed acts of both erasure and remembrance.”

This study identifies two textual strata in the “Zhao shijia” of the Shi ji: the “wo 我 stratum” and the “legendary stratum.” While the “wo stratum” points to the existence of Zhao local historical records, the “legendary stratum” reveals an interpretive framework that guides the chapter's presentation of the Zhao history toward the central concern and anxiety over the succession of lineage and power. The series of prophetic dreams and supernatural encounters that were emplotted in the narrative of Zhao history comprise this “legendary stratum” and point toward a key figure, King Wuling of Zhao, during whose time the Zhao state reached its pinnacle of power and prosperity. Accounts that are clearly fabrications, such as the story of the orphan of Zhao and later prophecies of the decline of the Zhao, show hidden connections to the personal experience of Sima Qian and to possible political dissent and discourses criticizing Emperor Wu of Han. In identifying such fabricated “empty writing” hidden in the chapter's framework of interpretive emplotment, this article aims to offer one way to read the Shi ji's account for the hereditary house of Zhao that follows a coherent pattern on the meta-level of historical narrative.

This talk, based on the manuscript of the same title, examines the artistic tradition of Southwest China in the Eastern Han dynasty (25-220 C.E.), with a focus on the geographical area of present-day Sichuan province. The ‘ancient art of Sichuan’ exhibits notable differences from the artistic traditions in other parts of the Han Empire. Pictorial brick tiles, decorated stone sarcophagi and memorial stelae are introduced in the talk to highlight some of the socio-economic, political and cultural influences that illustrate how the Southwest, which, far from being a ‘barbarian’ uncivilized border region as early historiography largely suggests, had a distinct, vibrant and sophisticated regional heritage visibly reflected in its art.

The Warring States and Qin-Han period marked the establishment of the county and commandery system, during which the local administrative centers gradually shifted from counties to commanderies, moving from decentralization to centralization. This talk will examine the changes in the relationship between the central and local authorities and within the regional administration during different stages from the Warring States to the early Han dynasty. It will reveal the time points and political mechanisms behind the formation of phenomena such as the dominance of commanderies, the concentration of power to the county court, the division of county magistrates and prefects, and the allocating of specific duties to officials during the Han dynasty.