A good travel book should offer what the once heralded writer Norman Douglas called the three different types of exploration: into a particular time abroad, into the author’s brain, and, most profoundly, into our own psyche. Yet travel books and academia can sometimes make for uncomfortable bedfellows – two groups of writers who ofttimes do not sometimes see the respective values of ‘the other’. Dr. Gordon Peake – an academic by training, a travel writer by desire – set out to try combine both genres, when he set out to write a book about Bougainville, a set of islands on the farthest fringes of Papua New Guinea recovering from conflict and looking to strike out as a country of its own. The book is based on Peake’s experience working as an adviser to the government in Bougainville from 2016-2020.
In his day job he saw at first hand the challenges of trying to stand up new government systems, painful realities sometimes unseen in academic writing on peace agreement implementation. Away from the office he travelled with former rebels, followed the ghost of anthropologist Beatrice Blackwood and meditated on how much perceived academic conventions meant that her most vivid and enduringly fascinating writing was never published. In 2019, he reported for world media on the joy and euphoria as the people of Bougainville vote in a referendum on their future – 97.7% voted to strike out as a country of their own –and has followed developments since as sputtering progress is made on progressing the results. When he went to try to write about his experiences, he encountered strains in straddling both genres but in an unexpected way. It wasn’t audiences who were the most difficult constituency to convince. It was publishers.
Gordon Peake is Senior Adviser, Pacific Islands, United States Institute of Peace. His first book was a double-award winning memoir of life in Timor-Leste, his second, ‘Unsung Land, Aspiring Nation’, is on Bougainville and he is beginning research on his third, about long-staying Americans in the Pacific entitled ‘The Relics’. He has written for the Guardian, Aeon and a range of Australian publications.