• Desire, Unreason, and Truth in Affect

    Heyman Center for the Humanities 74 Morningside Drive, New York, NY, United States
    Conferences/Symposia

    Sponsored by The University Seminar on Affect Studies This workshop seeks to explore the tension between the universal normative claim to truth and the singular claim to truth in affect, focusing on one of the strongest human emotions and experiences: erotic desire. In the absence of an absolute in a post-secular society, the role of affect has stepped in to substantivize many normative claims—either culminating in a ‘politics of feeling’ or in prioritizing individual emotions and affective economies over normative categories such as justice or freedom. This has major implications for two of the most contested concepts in religious, philosophical, […]

  • Black Europe: A Field on the Move 

    Heyman Center for the Humanities 74 Morningside Drive, New York, NY, United States
    Conferences/Symposia

    Scholars across disciplines are increasingly treating “Black Europe” as a pertinent object of study. Yet conversations continue to take place regarding what “Black Europe” is. Does Black Europe describe a place, an identity, an aspiration, or something else? Scholars oscillate between terms such as “Afropean,” “African-European,” and “Black European.” The institutionalization of Black European studies remains a work in progress, and views vary on whether it is an academic field, a subsection of Black Studies or African Diaspora Studies, or a reference point for a set of inquiries and practices that exceed the bounds of academic discipline. Black Europe: A Field […]

    Abolitionism and the Arts

    Heyman Center for the Humanities 74 Morningside Drive, New York, NY, United States

    10 am - 5 pm Interdisciplinary Symposium at the Heyman Center for the Humanities 5:30 pm Concert at the Maison Française The goal of our conference is to bring together an interdisciplinary group of scholars to think through some key questions and issues that arise when we study the connections between the arts and the history of abolitionism in the Atlantic world, e.g.: What approaches did writers, musicians, and artists take to the problems of slavery and the slave trade? In what ways did their creative activities subvert or reinscribe stereotypes about Africans and African-descended people? How did the materiality of the objects […]